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A Book about the Film Monty Python's The Meaning of Life

All the References from Americans to Zulu Nation

Darl Larsen

This reference identifies and explains the cultural, historical, and topical allusions in the film Monty Python’s Meaning of Life, the Pythons’ third and final original feature as a complete group. In this resource, virtually every allusion and reference that appears in the film is identified and explained —from Britain’s waning Empire through the Winter of Discontent to Margaret Thatcher’s second-term mandate, from playing fields to battle fields, and from accountant pirates to sacred sperm. Organized chronologically by scene, the entries cover literary and metaphoric allusions, symbolisms, names, peoples, and places; as well as the many social, cultural, and historical elements that populate this film, and the Pythons’ work in general.
  • Details
  • Details
  • Author
  • Author
  • TOC
  • TOC
  • Reviews
  • Reviews
Rowman & Littlefield Publishers
Pages: 444 • Trim: 7½ x 10⅜
978-1-5381-1596-1 • Hardback • June 2020 • $65.00 • (£50.00)
Subjects: Performing Arts / Film / Reference, Social Science / Popular Culture, Performing Arts / Film / Genres / Comedy
Darl Larsen is professor in the Media Arts department and the Center for Animation at Brigham Young University, where he teaches film and animation studies and screenwriting. He is the author of Monty Python, Shakespeare, and English Renaissance Drama (2003), Monty Python’s Flying Circus: An Utterly Complete, Thoroughly Unillustrated, Absolutely Unauthorized Guide to Possibly All the References (2013), A Book about the Film Monty Python and the Holy Grail (2015), and A Book about the Film Monty Python’s Life of Brian (2018).

Acknowledgments

Introduction

Abbreviations

SCENE 1 The Crimson Permanent Assurance

SCENE 2 Fish Tank

SCENE 3 Animated Opening Titles

SCENE 4 Part I: The Miracle of Birth—Labor and Delivery

SCENE 5 Part I: The Miracle of Birth, Part 2: The Third World—

“Every Sperm Is Sacred”

SCENE 6 Part I: The Miracle of Birth, Part 2: The Third World—Protestantism

SCENE 7 The Adventures of Martin Luther (Elided Scene)

SCENE 8 Part II: Growth and Learning—School Chapel

SCENE 9 Part II: Growth and Learning—Sex Education Class

SCENE 10 Part II: Growth and Learning—Rugby Football vs. the Masters

SCENE 11 Part III: Fighting Each Other—World War I

SCENE 12 Part III: Fighting Each Other—Military Lecture

SCENE 13 Part III: Fighting Each Other—Marching Up and Down the Square

SCENE 14 Part III: Fighting Each Other—First Zulu War 1879

SCENE 15 Part III: Fighting Each Other—Tiger Skin

SCENE 16 The Middle of the Film: Find the Fish

SCENE 17 Part IV: Middle Age—Conversation Restaurant

SCENE 18 Part V: Live Organ Transplants

SCENE 19 Part V: Live Organ Transplants—“Universe Song”

SCENE 20 Attack of the Supporting Feature

SCENE 21 Part VI: The Autumn Years—Mr. Creosote

SCENE 22 Part VI: The Autumn Years—Gaston Goes Home

SCENE 23 Part VII: Death—The Death of Arthur Jarrett

SCENE 24 Part VII: Death—Falling Leaves (Animation)

SCENE 25 Part VII: Death—Mr. Death Comes to Dinner

SCENE 26 Part VII: Death—“It’s Christmas in Heaven”

SCENE 27 The End of the Film

SCENE 28 End Credits

Bibliography

Index

About the Author

Hard-core Monty Python fans will be thoroughly delighted....


— Publishers Weekly


[Larsen] meticulously dissects the film scene by scene (and often line by line), delving into what topics, including boarding schools or tinned salmon, would have meant to the Pythons and also how they would have been received by 1980s film audiences. A sketch on the Zulu War, for example, would have called to mind the twilight of the British Empire, the previous year’s Falklands War, and recent earnest films about the war. Larsen isn’t seeking to amplify the film’s humor; instead he’s edifying the reader. Beyond capturing the zeitgeist through the use of contemporary references, he uses scenes from the film as entry points to limn British history. He admits the Pythons may not have always intended allegory, but Larsen can use their material to discuss the austerity of postwar Britain, the rise of Margaret Thatcher, or the coal mining industry.


— Library Journal


A Book about the Film Monty Python's The Meaning of Life

All the References from Americans to Zulu Nation

Cover Image
Hardback
Summary
Summary
  • This reference identifies and explains the cultural, historical, and topical allusions in the film Monty Python’s Meaning of Life, the Pythons’ third and final original feature as a complete group. In this resource, virtually every allusion and reference that appears in the film is identified and explained —from Britain’s waning Empire through the Winter of Discontent to Margaret Thatcher’s second-term mandate, from playing fields to battle fields, and from accountant pirates to sacred sperm. Organized chronologically by scene, the entries cover literary and metaphoric allusions, symbolisms, names, peoples, and places; as well as the many social, cultural, and historical elements that populate this film, and the Pythons’ work in general.
Details
Details
  • Rowman & Littlefield Publishers
    Pages: 444 • Trim: 7½ x 10⅜
    978-1-5381-1596-1 • Hardback • June 2020 • $65.00 • (£50.00)
    Subjects: Performing Arts / Film / Reference, Social Science / Popular Culture, Performing Arts / Film / Genres / Comedy
Author
Author
  • Darl Larsen is professor in the Media Arts department and the Center for Animation at Brigham Young University, where he teaches film and animation studies and screenwriting. He is the author of Monty Python, Shakespeare, and English Renaissance Drama (2003), Monty Python’s Flying Circus: An Utterly Complete, Thoroughly Unillustrated, Absolutely Unauthorized Guide to Possibly All the References (2013), A Book about the Film Monty Python and the Holy Grail (2015), and A Book about the Film Monty Python’s Life of Brian (2018).
Table of Contents
Table of Contents
  • Acknowledgments

    Introduction

    Abbreviations

    SCENE 1 The Crimson Permanent Assurance

    SCENE 2 Fish Tank

    SCENE 3 Animated Opening Titles

    SCENE 4 Part I: The Miracle of Birth—Labor and Delivery

    SCENE 5 Part I: The Miracle of Birth, Part 2: The Third World—

    “Every Sperm Is Sacred”

    SCENE 6 Part I: The Miracle of Birth, Part 2: The Third World—Protestantism

    SCENE 7 The Adventures of Martin Luther (Elided Scene)

    SCENE 8 Part II: Growth and Learning—School Chapel

    SCENE 9 Part II: Growth and Learning—Sex Education Class

    SCENE 10 Part II: Growth and Learning—Rugby Football vs. the Masters

    SCENE 11 Part III: Fighting Each Other—World War I

    SCENE 12 Part III: Fighting Each Other—Military Lecture

    SCENE 13 Part III: Fighting Each Other—Marching Up and Down the Square

    SCENE 14 Part III: Fighting Each Other—First Zulu War 1879

    SCENE 15 Part III: Fighting Each Other—Tiger Skin

    SCENE 16 The Middle of the Film: Find the Fish

    SCENE 17 Part IV: Middle Age—Conversation Restaurant

    SCENE 18 Part V: Live Organ Transplants

    SCENE 19 Part V: Live Organ Transplants—“Universe Song”

    SCENE 20 Attack of the Supporting Feature

    SCENE 21 Part VI: The Autumn Years—Mr. Creosote

    SCENE 22 Part VI: The Autumn Years—Gaston Goes Home

    SCENE 23 Part VII: Death—The Death of Arthur Jarrett

    SCENE 24 Part VII: Death—Falling Leaves (Animation)

    SCENE 25 Part VII: Death—Mr. Death Comes to Dinner

    SCENE 26 Part VII: Death—“It’s Christmas in Heaven”

    SCENE 27 The End of the Film

    SCENE 28 End Credits

    Bibliography

    Index

    About the Author

Reviews
Reviews
  • Hard-core Monty Python fans will be thoroughly delighted....


    — Publishers Weekly


    [Larsen] meticulously dissects the film scene by scene (and often line by line), delving into what topics, including boarding schools or tinned salmon, would have meant to the Pythons and also how they would have been received by 1980s film audiences. A sketch on the Zulu War, for example, would have called to mind the twilight of the British Empire, the previous year’s Falklands War, and recent earnest films about the war. Larsen isn’t seeking to amplify the film’s humor; instead he’s edifying the reader. Beyond capturing the zeitgeist through the use of contemporary references, he uses scenes from the film as entry points to limn British history. He admits the Pythons may not have always intended allegory, but Larsen can use their material to discuss the austerity of postwar Britain, the rise of Margaret Thatcher, or the coal mining industry.


    — Library Journal


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